| Volume 78.1, Winter 2010 | Governor Sancho and the Politics of Insularity |
Daniel Nemser
|
| Volume 78.2, Spring 2010 |
A Portrait of the Present: Sergio Chejfec's Photographic Realism | Luz Horn |
| Volume 77.1, Winter 2009 | A Sea of Denial: The Early Modern Spanish Invention of the Pacific Rim
| Ricardo Padró
|
| Volume 77.1, Winter 2009 | The Veiled Ladies of the Early Modern Spanish World: Seduction and Scandal in Seville, Madrid, and Lima
| Laura R. Bass and Amanda Wunder
|
| Volume 74.2, Spring 2006 | Sicarios, delirantes y los efectos del narcotrafico en la literatura colombiana | Gabriela Polit Duenas
|
Volume 77.4, Autumn 2009 | Rules of Gender, Reserve, and Resolution in Pardo Bazán's Insolación
| Maria Colbert |
| Volume 78.2, Spring 2010 | Alexander and the Geographer's Eye: Allegories of Knowledge in Martín Fernández de Enciso's Suma de geographía (1519) | Andrés Prieto |
| Volume 78.2, Spring 2010 |
Ser social y poética material en la obra de Antón de Montoro, mediano converso
|
Ana M. Gómez-Bravo |
| Volume 74.3, Summer 206 | Unhappily Ever After: Deceptive Idealism in Cervantes's Marriage Tales (review) | Ivan Fernandez Pelaez
|
| Volume 78.2, Spring 2010 |
Books Received |
|
|
Spring 1995 |
On Recipes, Reading and Revolution: Postboom Parody in Como agua para chocolate |
Kristine Ibsen |
| Summer 1990 | Doubles in Hell: El burlador de Sevilla y convidado de piedra | Judith H. Arias
|
| Autumn 1982 | Jorge Luis Borges, Magic Realist | Seymour Menton |
| Summer 1972 | Systematic Doubt: The Moral Art of La familia de Pascual Duarte | Robert C. Spires |
| Winter 2000 | Rational Thought and Female Poetics in Sor Juana's "Primero sueno": The Circumvention of Two Traditions | Susan M. McKenna |
| Summer 2001 | Partial Glimpses of the Infinite: Borges and the Simulacrum | Jonathan Stuart Boulter |
| Autumn 1971 | A Stylistic Analysis of "Lo fatal" | Michael P. Predmore |
| Winter 1972 | The Evolution of the Honor Theme in Modern Spanish Drama | Peter L. Podol |
| Winter 1965 | Spanish Honour as Historical Phenomenon, Convention and Artistic Motive |
C. A. Jones |
| Summer 2001 |
Partial Glimpses of the Infinite: Borges and the Simulacrum |
Jonathan Stuart Boulter |
